Every story is a juxtaposition of many.

Cinema Paola Urgeghe Cinema Paola Urgeghe

Personale

Why do we enjoy being catered to, but struggle to acknowledge it openly? Carmen Trocker’s documentary confronts us with the dilemma of the—preferably—invisible servant.

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Maxime Donnart Maxime Donnart

Nagasaki, les Senbazuru de Sadako

Sadako Sasaki, two years old, was in her house with her mother in Nagasaki. At 11:02, Sadako was thrown out of the window of her house.

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